An Artist Statement
When walking into a beautifully designed space, such as a boutique hotel lobby, a freshly renovated home, or a striking piece of Boston architecture, what you will experience is more than just walls and windows . You’re seeing how design, light, and craftsmanship come together to create atmosphere. Photography, at its best, captures that same spirit. It takes the physical and turns it into something emotional. It becomes a way to feel a space even when you’re not physically experiencing it.
In my work photographing architecture and interiors across New England, I’ve learned that photography and architecture don’t simply coexist; they depend on one another. A well-designed space gives form and structure. Photography gives it voice, translating line, light, and material into an image that communicates mood, purpose, and identity. When done right, it doesn’t just document design. It elevates it.
Every space I photograph is intentional. The goal is to transport the viewer. Whether it’s a hospitality project with light cascading through glass or an intimate home interior where texture and warmth define the design, the purpose is always the same: to make the viewer feel the architecture. The walls, the surfaces, and the direction of light become a language of experience.
Some of my biggest influences have shaped how I see and translate that language. Joel Meyerowitz taught me the power of patience and the importance of waiting for the right light, the right color, and the right silence. Saul Leiter showed that abstraction and reflection can transform the ordinary into the poetic, that sometimes beauty hides behind a pane of glass or a soft haze of color. William Eggleston changed the way I think about detail and how the simplest moment or surface can hold beauty and meaning. Gregory Crewdson, whose cinematic approach to light and atmosphere is rooted here in New England, reminds me that every image can tell a story as complex and layered as a film scene.
Their work has shaped how I approach architecture and interior photography. I look for the emotional undercurrent in every room: how the light drifts across a countertop, how color bounces off a painted wall, and how materials breathe in a certain time of day. Those small, subtle things create the feeling of a space.
For architects, designers, and hospitality brands, strong photography isn’t just about having beautiful images. It’s about capturing the essence of your work, the design decisions, the craftsmanship, and the way people experience what you’ve built. Good photography becomes part of your design process and part of how your work is seen and remembered.
In a region like New England, where architecture carries so much history and identity, that partnership matters. Photography allows the story of a space to live beyond its walls. It reaches audiences, inspires future clients, and preserves the integrity of the design long after the doors open.
Architecture gives us form. Photography gives it life. Together they create the visual language that connects people to place, memory, and design.